Natalie Cole: Still Unforgettable

When Natalie Cole's seminal Unforgettable…With Love came out
in 1991, the jazz collection set a new standard for reinventing the
Great American Songbook. The CD, which captured six Grammys®, including Album and Record Of The Year, spent five weeks at No. 1 and sold more than eight million copies in the U.S. alone.

Yet
instead of exploiting the moment and rushing out a second volume, Cole
thoughtfully took a step back, devoted herself to several other stellar
projects including her riveting autobiography, and waited until she
felt ready to return to the songs that fulfill her heart and soul. The
time is now.

"Timing is everything, and I
wasn't in a hurry to make this kind of a record right away," Cole says.
"Something about now just seemed the right time. There is never a
guarantee of success when you are ready to put out a record—especially
one like this. You have to go with your gut, but I didn't want to be
shamelessly chasing after the success of Unforgettable…With Love, so I waited."

Still Unforgettable
proves to be more than worth the wait: A co-venture between Natalie,
DMI Music and Rhino/WEA, Cole lovingly wraps her unparalleled supple
voice around 14 standards. On this, her 21st studio album, Cole also takes the reins as producer for the first time.

Just
as she lovingly partnered with her late father, the legendary Nat King
Cole, for a posthumous duet on the title track on the 1991 masterpiece,
this time they reunite on the delightful "Walkin' My Baby Back Home,"
first recorded by Cole's father in the early ‘50s.

"If
there was going to be another ‘duet' with Dad, I felt it should be
something more whimsical, fun and light," Cole says. "At the same time,
I was looking for a song that would also be familiar to a certain type
of audience. I think this is going to work just as well. It's adorable
and loving between parent and child. It feels like he's right there
with me. How do you top that?"

There's only one
way—by surrounding "Walkin' My Baby Back Home" with songs that are on
par, songs that are stars in their own right and come with rich and
varied histories of their own. On Still Unforgettable Cole
looked beyond songs made famous by her father. "I decided to go deeper
into the American Songbook and not just get songs from my father, but
also from Frank Sinatra, Lena Horne, Sammy Davis Jr., and Peggy Lee.
The lyrics of these songs are about life. As a singer, they take me and
my audience on a winsome journey."

Still Unforgettable
combines much-beloved classics like "The Best is Yet To Come," "Come
Rain or Come Shine," "Nice ‘N' Easy" with great songs that Cole
discovered for the first time, such as "Coffee Time," a recommendation
from Tony Bennett. "Every single one of these songs was a challenge to
sing because the original performances are so iconic. It was difficult
to find a way to approach each one without losing the essence of what
makes them so great," Cole says.

Therefore Cole
and her co-producer Gail Deadrick turned to a who's who of A-list
arrangers including John Clayton, Patrick Williams, Nan Schwartz and
Victor Vanacore, all of whom paid homage to the originals, while
creating something new.

"It is a bit of an art
to pick the songs and then ‘marry' them with the right arranger," says
Cole. She and Deadrick "sat for hours and talked through each song and
why it would work according to the personality and style of the
individual arranger. Then we sat down with each arranger and talked the
songs through again [and] what I wanted to accomplish, even down to
specifics on whether to modulate a key or how the song should start."

Before she captured 1975's Best New Artist Grammy®,
Cole appealed to fans and critics alike with her versatility as an
R&B, pop and jazz singer of the first order. Her canon includes
such No. 1's as "This Will Be (An Everlasting Love)," "Inseparable,"
"Our Love," "I've Got Love On My Mind," "Pink Cadillac" and "Miss You
Like Crazy." The eight-time Grammy winner continues to astonish with
her vocal dexterity and her intimate, knowing way with a lyric and
melody.

Those talents will be on display as Cole tours to promote Still Unforgettable:
"I still love recording and still love the stage, but like my Dad, I
have the most fun when I am in front of that glorious orchestra or that
kick-butt Big Band."

And like so many of her
fans, she finds the beauty in these songs and a mystique that is
missing from much of contemporary music. "Many songwriters these days
seem to feel that they have to tell it all," she says. "They don't
allow the audience to imagine. Everything is so graphic-there is no
mystery." Conversely, the songs on Still Unforgettable "go
deeper into the treasure chest of great American songwriting, with
lyrics and melodies that touch you and soothe you, appealing to your
intellectual side, but most of all, appealing to your heart."